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With just days before its first edition opens, EDIT Napoli’s founders Domitilla Dardi and Emilia Petruccelli, caught up with TLmag to talk about what we can expect of Italy’s newest design fair.
The Large Glass Department of the Gerrit Rietveld Academie celebrates its 50th anniversary with the exhibition State of Transparency at Looiersgracht 60.
75 years after it was founded, Parisian Ecole Camondo expands its reach and opens a second site overlooking Toulon’s harbour in September 2019.
A new design research magazine is launched by Mudac and T&P Unit. TLmagazine speaks with its editor-in-chief Claire Faivre Maxwell.
TLmag talks to this young gallerist and interior designer on her lifetime passion for collecting her “crushes” and her apartment gallery’s latest exhibition.
This 58th Biennale di Venezia the initiative GLASSTRESS by Adriano Berengo returns for the sixth time to push artists and designers to explore glass.
ADAM – Brussels Design Museum’s latest exhibition offers a sociological reflection of the aspirations and ideals of the past through an analysis of their interiors.
For this year’s Vienna Biennale the MAK DESIGN LAB is reinstalled. The presentation explores the role of design in this digitalized era using over 500 objects.
Under the fixed static gaze of Pablo Bronstein’s ‘Grey Witch’, visitors to his site-specific installations in Turin & Venice are propelled into reflections on the constrictions of the space, time and image of the present.
Next week sculptor Mauro Mori reveals his new collection Les Editions Courbet, the result of an ongoing creative collaboration with Les Atelier Courbet.
Martin Szekely presents the ambiguous nature of drawers in his minimal structural configuration ‘The Drawers and I’ at Pierre Marie Giraud gallery.
GALERIE COLLECTION SPAZIO NOBILE, Keep your garden alive, at Grand Palais, Paris, France, Booth C5
Group exhibition with Kaspar Hamacher (BE), Laura Laine (FI), Päivi Rintaniemi (FI), Kristina Riska (FI),
With the exhibition Prehistoric Times, Centre Pompidou explores archeology and the concept of prehistory in a profound way.
FORMOSA: A NEW LAYER TAIWAN MEETS YII AT RÉVÉLATIONS, GRAND PALAIS, PARIS, FRANCE, BOOTH F22
Spazio Nobile / Pro Materia and the Taiwanese Cultural Center in Paris invite you to Révélations,
Spazio Nobile is pleased to invite you at the gallery to the opening of Season XII- Kustaa Saksi, First Symptoms as part of The Finnish Season Spring-Summer 2019, on Thursday 16 May from 18-22:00.
What does it mean to collect, or to present a collection? This year, Brussel’s Horta Museum celebrates three monumental anniversaries by presenting three exhibitions that each sheds a different light on the notion of the collecting.
Three years ago, Justine God left her job as a buyer in the textile industry to launch Imprévu, a women’s ready-to-wear brand. With a thoughtful business model and strong values, her label has found its place in the Belgian market,
TLmag met with multidisciplinary artist Sophie Whettnall a few weeks before the vernissage of her first solo institutional exhibition in Belgium at CENTRALE – one of the most important steps in her career.
Artist Karine Rougier talks to TLmag about the exhibition that’s currently on show at Fondation Thalie, where her atelier is reconstructed.
Maurice Scheltens and Liesbeth Abbenes have built a practice at the intersection of commissioned and autonomous photography. With a little less than a month before it ends, TLmag headed over to FOAM to see the largest museum solo exhibition of this Dutch artist duo.
Belgian artist Thomas Leeroy just opened Behind the Curtain in the Royal Museum of Fine Arts, a solo-exhibition that gives a good overview of his style.
TLmag talks to the founder of the Luigi Pericle Archive, Greta Biasca-Caroni, about bringing Swiss painter Luigi Pericle’s work and message back into the public eye after nearly 50 years of seclusion.
The day of our finissage of Season XI- Formosa: A New Layer Taiwan Meets Yii, you can book the Tea Ceremony with Rain Wu on 12 May at 2pm – 3pm – 4pm or 5pm (max 6 people / session).
For the fifth edition of London Craft Week the gallery Sarah Myerscough presents the exhibition Charred in Fitzrovia chapel, exploring wood’s materiality.