Creative director, speaker, consultant, teacher and author – this multi-faceted designer and theorist gives TLmag his vision on the past and future of design and the profession of the designer in relation to the COVID-19 crisis.
Using wet plate collodion photographic processes from the mid-19th century, Silvano Magnone’s images take over an hour to develop. As a result, his intimate portraiture gives shape and feeling to suspended time.
The Glass Factory founder Maja Heuer reflects on her motivations for establishing the Glass Factory and the need for new approaches to the business of glass.
TLmagazine caught up with curator Siegrid Demyttenaere, to explore the exceptional curatorial framework of the Kleureyck exhibition in Design Museum Gent.
Archaeology is a pertinent source of knowledge on ancient cultures – its enquiry deeply embedded in the past. Brussels-based landscape architect Bas Smets switches this timeline around as he looks towards designing what he calls ‘the archaeology of the future’.
This poetic monochromatic photo series by Brazilian-American photographer Eliseu Cavalcante documents his 2500 mile journey down the length of the Amazon River – capturing the life of the people who live on its shores.
Mediamatic is inspired by the government regulations in the wake of COVID-19 and presents ‘Serres Separée’, which prompts a new design for dining together.
Deep in the middle of the Flemish fields, Belgian designer Carine Boxy creates large interior landscapes of sheepskin that drape over floors, walls and furniture. Her beautiful workplace breathes her aesthetics: rough,
With his ‘Pressed’ objects, innovative Dutch ceramicist Floris Wubben continues to push the limits of his materials by using a self-developed extrusion machine to explore their characteristics and their behaviour when being moulded.
‘Quelle pierrerie, le ciel fluide !’ Stephan Mallarmé, « Conflit » dans Divagations, 1897 Roger Caillois perceived the “art of nature” not as an anthropomorphic…
Designer Alexandre Chary is currently spending time between France and China, all the while exploring new approaches in his practice. He collaborates with various design groups, artists, and craftsmen from both sides of the world.
Jörg Bräuer pursues his poetic and aesthetic quest, focusing on landscapes, architecture and still lifes with a pictorial quality that exposes the finer details with great depth and contrast, revealing the restrained beauty that inhabits the unknown world around us.
With his furniture and lighting, mixing noble materials, organic shapes and unusual lines, Caporusso excels in producing objects of otherworldly beauty.
For four generations, the Croonenberghs family has shared their passion for marble with architects, designers and lovers of fine materials and stories through their family business. Now, Isabelle Croonenberghs and her brother Bruno are orchestrating the future of Cromarbo,
Anne Derasse cherishes places filled with history, heritage, know-how and high-end craftmanship, like the “Chartreuse” of Calon Ségur she renovated. Here, TLmag catches up with the interior designer and art historian.
As part of the #StayHome campaign, Ascona-based Archivio Luigi Pericle is proposing a series of encounters devoted to the life and work of Swiss artist Luigi Pericle.
Despite events being cancelled or postponed on a worldwide scale, and the precarious situation that many cultural institutions and designers have landed in because of the COVID-19 pandemic, we have also seen a new urgency develop to create new ways of retaining solidarity and connection.
TLmagazine speaks to visual artist Åsa Jungnelius in light of the uncomfortable circumstances caused by the COVID-19 outbreak. Especially now, her methodology and materialization sparks interesting perspectives and discussions.
German artist Fabian von Spreckelsen artisanal approach to sculpture guides him to create unique and bespoke pieces for Spazio Nobile with a singular identity, using Corten steel and eroded metal.
Kaspar Hamacher creates a close and unique connection with each fragment of trunk he sculpts, crafting unique stamped pieces, from his own creative mastery.
By focusing on craft and materiality as a common fabric, curator and writer Glenn Adamson’s practice hopes to cross cultural and language barriers alike. TLmag spoke to Glenn to learn more about his extensive research on material culture,
In the solo exhibition Raimund Abraham: Angles and Angels. Drawings Models Prototypes, the MAK presents works by the Austrian-American architect Raimund Abraham.