Deep in the middle of the Flemish fields, Belgian designer Carine Boxy creates large interior landscapes of sheepskin that drape over floors, walls and furniture. Her beautiful workplace breathes her aesthetics: rough,
With his ‘Pressed’ objects, innovative Dutch ceramicist Floris Wubben continues to push the limits of his materials by using a self-developed extrusion machine to explore their characteristics and their behaviour when being moulded.
‘Quelle pierrerie, le ciel fluide !’ Stephan Mallarmé, « Conflit » dans Divagations, 1897 Roger Caillois perceived the “art of nature” not as an anthropomorphic…
Designer Alexandre Chary is currently spending time between France and China, all the while exploring new approaches in his practice. He collaborates with various design groups, artists, and craftsmen from both sides of the world.
Jörg Bräuer pursues his poetic and aesthetic quest, focusing on landscapes, architecture and still lifes with a pictorial quality that exposes the finer details with great depth and contrast, revealing the restrained beauty that inhabits the unknown world around us.
With his furniture and lighting, mixing noble materials, organic shapes and unusual lines, Caporusso excels in producing objects of otherworldly beauty.
For four generations, the Croonenberghs family has shared their passion for marble with architects, designers and lovers of fine materials and stories through their family business. Now, Isabelle Croonenberghs and her brother Bruno are orchestrating the future of Cromarbo,
Anne Derasse cherishes places filled with history, heritage, know-how and high-end craftmanship, like the “Chartreuse” of Calon Ségur she renovated. Here, TLmag catches up with the interior designer and art historian.
As part of the #StayHome campaign, Ascona-based Archivio Luigi Pericle is proposing a series of encounters devoted to the life and work of Swiss artist Luigi Pericle.
Despite events being cancelled or postponed on a worldwide scale, and the precarious situation that many cultural institutions and designers have landed in because of the COVID-19 pandemic, we have also seen a new urgency develop to create new ways of retaining solidarity and connection.
TLmagazine speaks to visual artist Åsa Jungnelius in light of the uncomfortable circumstances caused by the COVID-19 outbreak. Especially now, her methodology and materialization sparks interesting perspectives and discussions.
German artist Fabian von Spreckelsen artisanal approach to sculpture guides him to create unique and bespoke pieces for Spazio Nobile with a singular identity, using Corten steel and eroded metal.
Kaspar Hamacher creates a close and unique connection with each fragment of trunk he sculpts, crafting unique stamped pieces, from his own creative mastery.
By focusing on craft and materiality as a common fabric, curator and writer Glenn Adamson’s practice hopes to cross cultural and language barriers alike. TLmag spoke to Glenn to learn more about his extensive research on material culture,
In the solo exhibition Raimund Abraham: Angles and Angels. Drawings Models Prototypes, the MAK presents works by the Austrian-American architect Raimund Abraham.
One of Finland’s most internationally renowned ceramic artists, Kristina Riska’s first solo show with Galerie Forsblom showcases two series that each reflect on the artist’s methodology of bringing unknown or looked over ideas into the spotlight.
TLmag caught up with last year’s La Triennale di Milano’s curator Paola Antonelli to learn more about her focus on restorative design, how she sees the future of human-made design and the inspirations behind the immense exhibition.
Sarah Myerscough Gallery presents Tectonics, a show focussing on ancient materials which speak of the nature of the planet and her crust. The earth’s masses surfaces in formations that have been eroded and transformed within the deep fabric of time.
Spazio Nobile is pleased to present “Texture du temps” a limited edition of 1/150, numbered and signed by artist Jörg Bräuer, in the form of an artist’s poetry book with quotes of renown writers printed on tracing paper.
Italian design duo Formafantasma’s latest exhibition ‘Cambio’ re-evaluates our relationship with trees and poses a series of essential questions about design and sustainability.