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Anton Alvarez – The Remnants

February, 09 2022

Between February 7- 25, in a performance/pop up project in London, Anton Alvarez will experiment with grinding down clay sculptures made in a previous exhibition to make new work with the remaining materials using his Extruder machine.

Emanuele Coccia – Artists are the New Shamans

February, 04 2022

For TLmag36, Emanuele Coccia spoke with Sibylle Grandchamp about his ideas on nature, the role that culture can play in our understanding of the landscape, and how artists can help guide us to better engage in the seismic changes the world is experiencing.

Alba Amicorum – Art to Wear and Collect

February, 02 2022

Darshana Shilpi Rouget launched Alba Amicorum with a unique vision of bringing artistic minds together. Both the atelier in London and their engaging website offer a platform where artists, artisans, collectors and collaborators can meet and discover something new.

Sophie Whettnall Notebook

January, 28 2022

TLmag gave Brussels-based artist, Sophie Whettnall, carte blanche to create a special feature for TLmag36: All Is Landscape. “My Quick Little Story About Landscape Painting,” is a series of red ink on paper drawings inspired by iconic landscapes from art history,

Michal Motyčka: Outside View

January, 25 2022

Contemporary Czech artist and architect, Michal Motyčka, presents a series of new sculptural glass and mirrored work at Galerie Kuzebauch through February 3, 2022.

Luma Arles – The Making of a Climate

January, 21 2022

When Bas Smets began the designs for the park at Luma Arles, the land was an old rail yard with little trace of nature. This portfolio is a visual diary of the extensive transformation process of creating his award-winning climate-conscious and welcoming park at Luma Arles.

Éva Garcia – Can the Light Render

January, 17 2022

On January 20th, Spazio Nobile Gallery opens an solo show by Éva Garcia titled, “Can this light…? Garcia’s moody, almost ethereal gouaches, engravings and paintings hover between figuration and abstraction, seemingly emerging from their surface as if moving through space.

Etel Adnan – Writings & Paintings

January, 13 2022

An extract of Etel Adnan’s “Writings & Paintings” was reproduced in the A/W 2021 issue: TLmag36: All Is Landscape, just before she passed away in Paris at the age of 96.

Luke Fuller – All Chaos is Put into the Dark Inside of the Art

January, 11 2022

Like relics from a former coal mine or volcanic explosion, Luke Fuller’s layered and abstract ceramic sculptures are physical reminders of what lies within the earth and the precarious relationship that humans have with the environment.

Piet Oudolf & Bas Smets

January, 06 2022

A conversation between two landscape architects about plants, soil and the future of our cities. A special interview that first appeared in the A/W 2021 issue of TLmag36: All Is Landscape,

Around the Grid: Rachel Duvall’s Geometric Weavings

January, 04 2022

For 15-years, textile artist, Rachel Duvall, has worked on her intricate and complex weavings, which explore the tension between structure and the handmade. TLmag spoke to the artist about her practice.

Building Blocks

December, 30 2021

For the A/W 2020 TLmag34 – Precious: A Geology of Being, Tracy Lynn Chemaly reported on four innovative architectural firms using traditional clay bricks in pioneering architectural projects. Economical, environmentally stable,

Hella Jongerius: Weaving Architecture

December, 28 2021

For our S/S 2021 issue: TLmag35: Tactle/Textile/Texture, Anniina Koivu, guest-editor of TLmag35, interviewed Hella Jongerius about her innovative practice that has recently focused on the potential of weaving and 3D weaving in design,

Sophie Rowley – Rags to Riches

December, 23 2021

At the confluence of textile design and neo-materialism, designer Sophie Rowley fashions limited-edition furnishings out of upcycled denim, but it might seem that her chosen medium is marble.

Ronan Bouroullec – 23 Bas-Reliefs

December, 16 2021

Furniture, textiles, technology, drawings, and recently ceramics. There are few mediums into which Ronan Bouroullec is not afraid to venture, and venturing with success. His solo exhibition at Galerie Kreo is on view through January 4,