With a theme of ‘Elements: Earth’, Design Miami/Basel 2019 focuses on the ways that designers can articulate the future through selected debut works, solo shows and its Curio program whilst also reflecting on the craftsmanship of rare mid-twentieth century masterpieces.
Under the fixed static gaze of Pablo Bronstein’s ‘Grey Witch’, visitors to his site-specific installations in Turin & Venice are propelled into reflections on the constrictions of the space, time and image of the present.
GALERIE COLLECTION SPAZIO NOBILE, Keep your garden alive, at Grand Palais, Paris, France, Booth C5
Group exhibition with Kaspar Hamacher (BE), Laura Laine (FI), Päivi Rintaniemi (FI), Kristina Riska (FI),
What does it mean to collect, or to present a collection? This year, Brussel’s Horta Museum celebrates three monumental anniversaries by presenting three exhibitions that each sheds a different light on the notion of the collecting.
Three years ago, Justine God left her job as a buyer in the textile industry to launch Imprévu, a women’s ready-to-wear brand. With a thoughtful business model and strong values, her label has found its place in the Belgian market,
TLmag met with multidisciplinary artist Sophie Whettnall a few weeks before the vernissage of her first solo institutional exhibition in Belgium at CENTRALE – one of the most important steps in her career.
Maurice Scheltens and Liesbeth Abbenes have built a practice at the intersection of commissioned and autonomous photography. With a little less than a month before it ends, TLmag headed over to FOAM to see the largest museum solo exhibition of this Dutch artist duo.